"We had a rock band when we were 17 and when we first heard The Strokes' first single we thought: 'Wow, that's the band we dreamed of being. In terms of the attitude, he's got it totally right. Thomas added in an interview with NME magazine: "They're probably our favourite contemporary rock band. "Would you Auto-Tune Roger Daltrey on 'Tommy'? Or Simon & Garfunkel? It stops being a fun effect and becomes like a clone from a terrifying sci-fi movie."ĭespite their success as dance music pioneers, the 'Get Lucky' duo admit they have always secretly wanted to be like The Strokes, whose frontman Julian Casablancas is one of their collaborators on new album 'Random Access Memories'. If you're using it to solve small imperfections, you're creating something that isn't human. "The other use of Auto-Tune is the invisible one, where you put the voices of the performers in and you set the thresholds so you can't hear the Auto-Tune is there. I can find some vocoder tutorials but none that achieve that effect. It's pleasing to the ear and creates those funky artefacts, a bit like the clavinet in Stevie Wonder's 'Superstition'. Hi, I'm brand new to using audacity, but looking to make something similar to the Technologic vocal effect daft punk uses over my words for a school presentation. "We put it in the same category as the wah-wah pedal. Thomas said: "Pop music is into the uncanny valley.
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